The Dynamics in Alfred Hitchcock's Rear Window and Psycho

From the creative mind of Alfred Hitchcock came many a classic film, merely two that stand out are the thrillers Rear window and psychotic. These films capture the viewer and create an atmosphere so queen regnant and fresh that you feel as though you personally know the characters; sometimes you even feel like youre becoming the characters. Although the films welcome many similarities they some(prenominal) have completely different moods and themes. closely im fashionantly the films can still hold up against todays improbably high-bud tie Hollywood movies. A main theme in Rear window is voyeurism, exhibited by Jimmy Stewarts character Jeff Jeffries. The same theme is anyway present in psychotic with Anthony Perkins character Norman Bates, but, irrelevant Rear Window, Psycho doesnt use it as the backbone of the plot. Reasons for the port differ in the films as well. Jeff Jeffries is confined in his flatbed because of his broken leg so his voyeurism is a res ult of his tedium and fueled by his curiosity. Norman Bates has more of an obsession and his carriage is attributed to his character and not his circumstances. James Griffith put it best in his Film Comment article Psycho: Not guilty as Charged when he said of Psycho, ...

the film disturbs us not because of what it allows us secretly to watch, but because it makes us deliver the terror of being secretly watched(Griffith 76). According to Cyndy Hendershot in her journal of universal Film and Television article The Cold struggle revulsion Film: Taboo and Transgression in The noisome Seed, The Fly, and Psycho , Psycho represents Hitchcocks near explic! it connection to the horror music genre and his most blatant attempt to use transgression as both content in a film and as a marketing strategy(Hendershot 20). Although we can regard Psycho as a film of the horror genre... If you want to get a full essay, order it on our website: BestEssayCheap.com

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