A comparison of two major Baroque composers: Claudio Monteverdi and Domenico Scarlatti (turabian format)

The purpose of this paper is to analyze two sings by Claudio Giovanni Antonio Monteverdi (1567-1643) and Giovanni Domenico Scarlatti (1685-1757) and analyze and contrast the two darns to find out how medicament changed passim the churrigueresque accomplishment. While historians grouped harmony of the Baroque dot together based on certain characteristics, the music did non confront the kindred throughout the period, as it would not for any new(prenominal) musical time period. Composers from different points in the Baroque period were chosen, but the things the two composers had in super acid were the realm of residence and their nationality. Special care was taken to chose composers from the same sphere so that differences could not be accounted as cosmos beca single-valued officiate of different nationalistic styles. The spell by Monteverdi, Confitebor tibi, Domine (Psalm 110), was a psalm that was consumptiond as part of the vespers on Sundays. This particul ar psalm is found in varied forms in the publication Selva morale et spirituale, published around 1640. This moving picture is set for four voices and solo threefold voice, and is accompianed by continuo. The piece begins and ends in C major, with use of very few accidentals. The accidentals in this piece were used to create a leading relish to the fifth or tonic.

The piece is mostly homorhythmic and has a trust of polyphony and homophony. Occasionally there is a duet with the threefold and solo soprano lines. The piece is written in Latin, which was crude practice for the time. There are no indicat ed dynamics, and there is use of musica fict! a. In the transcription used in this paper, bar lines were added since almost none existed in the actual manuscript, and some corrections were do in the number of rests in some places in the score. The psalm composed by Scarlatti, If you want to get a affluent essay, order it on our website: BestEssayCheap.com

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